非线性编辑软件Avid Media Composer 8.42破解版下载

Media Composer 是什么？

Media Composer 是业界首选的专业电影与视频编辑工具。 无论是编辑电影、电视节目、广告或是其他视频，此业界标准非线性编辑器均可提供 64 位高性能、易于使用的视频编辑工具、简化 HD 及基于文件的三维立体工作流程。 其开放的平台可让您充分利用现有的设备，并且融入到您的工作流程中去。 而且，它能消除瓶颈，有效提升您的工作效率。

Avid Media Composer 8.4.2 Win/Mac
Media Composer is the top choice for professional film and video editing in the industry. Whether you edit movies, TV shows, commercials, or other video, this industry-standard nonlinear editor provides 64-bit performance, easy-to-use video editing tools, and streamlined HD, file-based, and stereo 3D workflows. Its open platform enables you to work with the gear you have or want and integrate into any workflow. Plus, it’s designed to eliminate bottlenecks, enabling you to work faster than ever.

Media Composer运行环境

Windows

操作系统： Windows 7 专业版 SP1（64位）

处理器： 英特尔 2 酷睿 2.33 GHz 或更快的处理器

内存： 4 GB 内存 (推荐 6+ GB)；用于三维立体及其他高性能工作流程，建议使用16+ GB的内存

显卡： NVIDIA Quadro FX 系列 3（FX 560 或更高）

内置硬盘驱动器： 最低 80GB 7200 转/分钟硬盘驱动器 
 

Mac OS X

操作系统： Mac OS X Lion 和 Mountain Lion（64位）

处理器： 英特尔酷睿或英特尔酷睿双核 2.66 GHz Xeon 或更快的处理器，或者英特尔酷睿 2 双核 2.33 GHz 或更快的处理器（便携式电脑）

内存： 4 GB 内存 (推荐 6+ GB)；用于三维立体及其他高性能工作流程，建议使用16+ GB的内存

显卡： NVIDIA GeForce 系列3（推荐）或 ATI Radeon 系列（苹果平台支持）

内置硬盘驱动器： 最低 80GB 7200 转/分钟硬盘驱动器

Media Composer新增功能

通过 AS-02 处理版本及归档完成序列
通过 AMA 支持 AS-02 MXF 母带制作格式，轻松管理同样序列的多个版本，AS-02 将一切纳入一个单一套装，无需复制资产，从而节省了存储空间。 在 Avid 和其他支持 AS-02 的系统之间无缝移动内容，在您的 AS-02 工作流程中使用 JPEG 2000、DNxHD、IMX、AVC-Intra 和未压缩的媒体。 因为 AS-02 是一个开放式的行业标准，您可不必浪费时间重新打包内容。

 

利用 JPEG 2000 创建母带品质的归档

使用 JPEG 2000 编解码器，以母带品质编码及解码，有助于保持 AS-02 工作流程中的版本控制和归档内容品质。 因为 JPEG 2000 内容提供可分辨率可扩展性，当跨越不同供应商解决方案移动内容时，可容纳多代内容，您可获得归档内容的未来灵活性。

 

使用 AMA 导出内容

AMA 基于媒体，可直接访问并编辑媒体，而无需转码。 现在您可使用 AMA 将文件导出到媒体原始的源格式，用于归档或最终交付。 AMA 回写可用于 HDCAM SR，随着我们的合作伙伴更新/开发其 AMA 插件，您将有更多选择。 使用全新的 AMA 集导出支持，您可创建 AS-02、JPEG 2000、DNxHD、AVC-I 和其他基于文件的媒体卷用于往返的工作流程、共享或归档。

 

设置并输出 AFD 序列

通过全新的有效格式描述(AFD)支持，您可创建、编辑、设置并交付 HD 内容，确保其优化的、按预期的呈现给您的观众，甚至当向下转换并重新格式化之不同的宽高比，也丝毫无损。 只需选择一个 AFD 代码用于一个序列，您的设置将贯穿您的输出。

 

使用常见元数据重新连接片段

获得更多自由及灵活性，与来自其他软件应用程序的媒体互动。 通过先进的重新链接支持，您可使用各种各样常见的元数据字段，动态地重新连接片段到原始的或全新的媒体，一切均可跟踪。
 

通过硬件发布打开您的工作流程

通过全新的硬件发布控制，与 Avid 及第三方 I/O 硬件配合使用，您可激活/取消激活您的硬件，无需断开它来访问仅软件的功能，诸如全屏播放模式及音频项目设置选项。 您还可共享您的第三方硬件并监控 Media Composer 和其他应用程序，而无需退出或重新启动软件。

利用先进的音频关键帧，工作更快捷

节省编辑音轨的时间 通过全新的音频关键帧增强，现在您可在时间线上随处拷贝、粘贴、剪切、移动并调整音频关键帧，包括组在内。 点击一下，您甚至可删除这些在您修整片段时发生的隐藏音频关键帧。
 

混音多达 64 路音频发音数

通过支持多达 64 路音频发音数，监听更多复杂音轨。 综合强大的音频工具，7.1 环绕声和 RTAS 插件支持，及与 Pro Tools 无与伦比的整合，Media Composer 系列产品提供最佳的内置音频工具用于视频编辑器，远远超越其他任何 NLE。
 

Media Composer剪辑功能介绍：

利用 Media Composer，您可以更快、更便捷地编辑基于文件的媒体、三维立体素材、磁带和影片。

快速的甚至以更快的速度完成本地 64 位操作，所以即使你同时进行最复杂的特效，仍可以瞬间完成。 播放更流畅、渲染性能更快、大库处理更好，告别了过去 32 位操作系统的内存限制。 

开放所有
您永远不会知道将会有什么样的媒体、项目及人出现在您的面前。 那就是 Symphony 提供开放工作流程的原因，所以您可以在任何挑战下使用。 处理基于文件的媒体、磁带和影片。 根据您选择的强大、可靠的 Avid 和第三方接口选择进行采集和监控。 使用 Artist 系列控制界面加速编辑。 结合所有专业生产流水线。 使用 Video Satellite 将项目与 Pro Tools 编辑器同步。 并使您的 Symphony 或 Avid DS 由脱机变为联机，无重复工作。
 

体验无等待工作流程

借助于 AMA (Avid Media Access)，您可以立即进入并编辑基于文件的媒体，包括 ARRI ALEXA MXF、RED（EPIC、SCARLET-X 和 ONE）、AVCHD、ProRes、QuickTime（包括 HDSLR 相机的电影胶片）、XDCAM、P2、Canon XF 及其他格式，无需自动译码或复制文件（观看视频）。 无等待预览电影胶片。 同时当新的相机和格式出现时，制造商可以通过 Symphony 版本独立制造并发行其自身的 AMA 插件。
 

与所有媒体合作
基于文件的媒体、模拟和数字磁带、三维立体素材、产生的影片。 Symphony 提供 ACE 认证的编辑工具和众多功能、工作流程和选项，从而您可以使用一切从老式的媒体到最新的相机技术来工作。 另外，支持 4:4:4 HD-RGB 色彩和 DNxHD 444，从头至尾可以更高效地保存全品质的色彩细节。
 

体验最尖端的叙述方式
学习 Symphony（其他停止时）编辑，可以使得您的工作方式更舒适，但这并不重要。 使用智能工具快速微调操纵（见智能工具的实际操作），或使用传统工具进行超精确编辑。 在同一时间线上，实时混合与匹配媒体格式、帧率及分辨率等，而无需渲染（见混合与匹配的实际操作）。 并实时编辑 HD 素材，采用 Avid DNxHD 或 DNxHD 444 掌握画面质量。
 

编辑 3D
编辑标准 2D 素材时，采用全套的新功能和工作流程尽快编辑 3D 立体素材。 记录、编辑及管理完整的 3D 端对端的工作流程。 同一个磁道内混合搭配 2D 和立体 3D 芯片。 另外，使用全帧和帧兼容来源、功能强大的编辑工具、视频效果及其他功能。

New functionality for Media Composer

Version processing and archiving complete the sequence through as-02

AMA supports as-02 MXF master production format to easily manage multiple versions of the same sequence, and as-02 saves storage space by incorporating everything into a single package without duplicating assets. Move content seamlessly between Avid and other as-02 enabled systems using JPEG 2000, DNxHD, IMX, avc-intra, and uncompressed media in your as-02 workflow. Because as-02 is an open industry standard, you don't have to waste time repackaging content.

Create master-quality archives using JPEG 2000

Using JPEG 2000 codecs to master-quality encode and decode helps maintain the quality of versioning and archiving content in the as-02 workflow. Because JPEG 2000 content provides resolution extensibility, you gain the future flexibility of archiving content as you move content across different vendor solutions to accommodate multiple generations of content

Export content using AMA

AMA is based on media and can access and edit media directly without transcoding. You can now use AMA to export files to the original source format of the media for archiving or final delivery. AMA writebacks are available for HDCAM SR, and you will have more options as our partners update/develop their AMA plug-ins. With the new AMA set export support, you can create as-02, JPEG 2000, DNxHD, avc-i, and other file-based media volumes for round-trip workflow, sharing, or archiving.

Sets and outputs the AFD sequence

With the new effective format description (AFD) support, you can create, edit, set up, and deliver HD content to ensure that it is optimized and presented to your audience as expected, even when the different aspect ratios are converted down and reformatted. Simply select an AFD code for a sequence and your Settings will run through your output.

Reconnect fragments using common metadata

More freedom and flexibility to interact with media from other software applications. With advanced relinking support, you can use a variety of common metadata fields to dynamically reconnect fragments to either the original or brand new media, all traceable.

Open your workflow through hardware publishing

With Avid and third-party I/O hardware, you can activate/deactivate your hardware without disconnecting it to access software-only features, such as full-screen playback mode and audio project Settings, through new hardware publishing controls. You can also share your third-party hardware and monitor Media Composer and other applications without exiting or restarting the software.

Use advanced audio keyframes to work faster

Save time editing audio tracks enhanced with new audio keyframes, now you can copy, paste, cut, move and adjust audio keyframes anywhere on the timeline, including groups. With a click, you can even remove these hidden audio keyframes that occur when you trim the clip.

Mixing up to 64 audio sounds

Listen for more complex tracks by supporting up to 64 audio sounds. Combining powerful audio Tools, 7.1 surround sound and RTAS plug-in support, and unparalleled integration with Pro Tools, the Media Composer family of products provides the best built-in audio Tools for video editors, far beyond any other NLE

Introduction to editing functions of Media Composer:

With Media Composer, you can edit file-based Media, three-dimensional materials, tapes, and movies faster and more easily.

Complete local 64-bit operations quickly and even faster, so even if you do the most complex effects at the same time, you can still do them in seconds. Smoother playback, faster rendering, better library handling, and a break with the memory limitations of the past 32-bit operating systems.

Open to all

You never know what kind of media, projects, and people will be in front of you. That's why Symphony provides an open workflow, so you can use it in any challenge. Handles file-based media, tapes, and videos. Avid is collected and monitored according to your selection of powerful and reliable Avid and third-party interface. Use Artist series controls to speed up editing. Combine all professional production lines. Use the Video Satellite to synchronize your project with the Pro Tools editor. And make your Symphony or Avid DS go offline and online with no duplication of effort.

Experience the wait-free workflow

AMA (Avid Media Access) enables you to instantly enter and edit file-based Media, including ARRI ALEXA MXF, RED (EPIC, SCARLET-X and ONE), AVCHD, ProRes, QuickTime (including HDSLR camera film), XDCAM, P2, Canon XF, and other formats without automatically decoding or copying files (see video). No waiting for preview film. Also, when a new camera and format appear, a manufacturer can independently produce and distribute its own AMA plug-in through the Symphony version

Work with all media

Document-based media, analog and digital tapes, 3d materials, and generated films. Symphony offers ACE certified editing tools and numerous features, workflows, and options so you can work with everything from older media to the latest camera technology. In addition, support for 4:4:4 hd-rgb color and DNxHD 444, from start to finish can be more efficient to save full quality color details.

Experience cutting-edge storytelling

Learning Symphony (other stop-over) editing can make your working style more comfortable, but that's not important. Use smart tools to quickly fine-tune manipulation (see the actual operation of smart tools), or use traditional tools for ultra-accurate editing. On the same timeline, mix and match media formats, frame rates, and resolutions in real time without rendering (see mixing and matching in action). Avid DNxHD or DNxHD 444 were used to master the picture quality.

Edit the 3 d

When editing standard 2D materials, use a full set of new functions and workflow to edit 3D 3D materials as soon as possible. Record, edit and manage complete 3D end-to-end workflow. Mix and match 2D and 3D chips in the same track. In addition, use full frame and frame-compatible sources, powerful editing tools, video effects, and other features.